Any old Pics - replicating google images, one post at a time (Part 1)

No, the RISC PC was the successor to the Archimedes. As well as the ARM CPU it also had an (optional ?) Intel CPU so you could boot DOS / Windows.

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Jim audiomisc on pfm regularly goes on about them.

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later versions had the StrongArm processor, which was way too fast for the cludged 16MHz frontside bus

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Ah just vaguely remember the archimedes was a RISC cpu although that was 1988 and I couldn’t be arsed with computers back then.

My dad worked for ICL and was forever trying to teach me Pascal and Cobol.

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So did my uncle, I did have a hand me down OPD for a while which was good for answerphone related voice synthesiser lols.

wasn’t that the one based on the Sinclair QL hardware?

Marisol Escobar by Hans Namuth 1964

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image
Showgirls play chess between shows at New York’s Latin Quarter Nightclub, 1958. Photo by Gordon Parks

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Sylvie Vartan photographed by Jean-Marie Périer

Absolutely love this one

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The other side of his street

Harlem 1948 by Gordon Parks

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James Jarche 1931

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Mind is in the gap.


In the roundhouse of a Chicago and North Western Railroad yard in December 1942.


L. Logan, of West Chicago, a boilermaker at the roundhouse in the Proviso yard in Melrose Park, near Chicago, photographed in December 1942


A long-exposure view of lantern lights in a departure yard in Chicago and North Western Railroad’s Proviso yard at twilight in December 1942.


An Indiana Harbor Belt Railroad switchman demonstrating a signal with a fusee, which is used at twilight and dawn when visibility is poor. This signal means “stop.” Photographed in Calumet City in January 1943.

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The Boiler maker picture is superb.

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Jack Delano?

Yes, apologies - All shots by Jack Delano

The bottom pic is used on a Jason Molina album cover.

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The lantern lights one would make a good ECM cover

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And the L. Logan one reminds me of a character from a Terry Gilliam film.

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I guess today everyone has a camera and many might say they have a reasonably good eye. When I look at Jack Delano’s work in 42-43 for example, operating with fairly rudimentary kit by today’s standards, a chasm between a nice shot and a piece of art opens up.

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4x5 large format is anything but.