Good to see the Allnic hasn’t exploded yet…
.
Was briefly tempted by another stage but sense prevailed.

I love my Spyboxes
well I quite enjoyed that. I will investigate further.
How high can you stack them? I have a few records…
Edit: I have emailed them to ask
Go backwards in his discography as he has a huge amount albums kicking about.
Spotify is your friend - quality is variable as he was always a bit too out there for most mainstream labels and he liked to control his own music.
I’ve got four stacked but would be happy to stack five before thinking about attaching to the wall - they are very solidly built.
IKEA is the obvious starting point when cost is the main driver. I am also looking at stacking my hifi kit vertically to free up more space. I need somehow to incorporate a fish tank…
Meanwhile

I use Ikea Kallax. These are 4x4 units on the bottom with a 1x4 lying across the top. I may need to change as this picture is old and both units are now rammed. I also have a 2x2 and 2x1 Eket unit which is also full. I really like the eket as an alternative to Kallax

I roughly estimate that I have about 7 metres of records when all stacked together. A 5x5 Kallax gives me 8.25m of shelf space…
Just need to relocate the fish tank 
Edit: we appear to have the same Carlton Melton poster, Ólan @htm_1968
Those valve amps must get mighty toasty 
Much like work expanding to fill the available time, record collections expand to fill the available space.
Hopefully one day the powers that be will repress Ptah The El Daoud. Discogs vinyl prices have reached stoooopid levels. $1500!!!
I may be wrong but I think the original masters were lost in the Universal fire. If so there will be no repress.
https://www.nytimes.com/2019/06/11/magazine/universal-fire-master-recordings.html
A lot of the stuff we like now was totally obscure when it was realeased and had a very limited amount of albums pressed but thankfully there has always been music nerds.
I know Giles Peterson is a twat, but in the context of the this music, he’s up there with John Peel.




