Nottingham Dais with a Benz Wood on a Nottingham 12” Anna arm and a Benz LPS on an SME 312s. Then a Viva Phono LT into a Pass B1 buffer and a pair of Welborne Type 45 monoblocs. Speakers are Oris Swing. All bought second hand over the years apart from the Wood cart and the SME arm. Cables are AN Pallas from phonostage to preamp, Auditorium 23 from preamp to amps and Hifi collective silver from amps to speakers.
I’ve taken an entirely different approach to my system.
Where all these guys have confidently marched off, down the mega bucks, fantastic sound, pride of ownership route, I’ve staggered off, drunkenly, down, cheap as chips, shit sound, oh fuck, tell me that’s not mine alley, and it’s worked out for me.
@stu Women are silly. What actual stuff is it? Don’t recognise the amp.
Lovely kit, lovely room
You must be joking! I’ve dropped so many bollocks, it’s like some kind of horrifying Ball Pit!
Judging by the amount of music you play, you must have got something pretty right!
Owned dozens of CDP which I’ve tried into all sorts of DACs, and I’ve borrowed a scattering of transports, among others CECs and TEAC VRDS, but to date there have always been dedicated CDPs I’ve preferred - my favourite remains the last gen Unico CDE (not heard the latest version), so not an avenue I’d have bothered exploring if I’d not flogged this stuff for a while.
Thing is, the Pro-ject RS boxes are designed to work as a combo - and specifically to use a two-wire link to slave clocks and isolate data and timing - this works bloody well and allows upsampling of the humble CD to 176.4kHz (which sounds audibly better than other options) as well. Hard to evaluate beyond that.
I’ve not seen the point of tinkering with other kit, as the DAC sounds great with a nice set of Mullards in it, and there’s currently no major file format it can’t play.