The other issue with pivoted tonearms is why some manufacturers take the trrouble to align the gimbal allowing horizontal movement parallel to the offset angle while others don’t.
The parallel offset helps with warped records, trying to visualise the differences makes my head hurt, but my guess is it keeps the forces of the warp equal on each bearing.
If you had knife edge bearing and no offset ( Bearings square to the tube) one side would lift up as the extreme case.
I was reading a link explaining it the other day while looking at the anti skate stuff. It was to do with the reaction to vertical displacement for example warps. I’ll try to find the article again when I get home later
The Orsonic bias setting device did show me quite clearly that the Jelco 750L I had only really offered Bias Off or Bias full on despite having a nice knurled graduated knob suggesting fine adjustment was possible. The Orsonic device with its various stylii options was a useful tool albeit rarer than hen’s teeth
I get that, but I think it would have to be pretty badly warped for it to make an audible difference. I’m sure a warp as bad as that would manifest itself much more audibly in other ways, such as brief changes in VTF to name one. The forces on the bearings are pretty small and probably miniscule in relation to the design limits.